From: Emerging in the East: the Shanghai Biennale’s pathways to legitimation, 1996 to 2018
Total number of artists | Percentage of Chinese artists | Percentage of international artists | |
---|---|---|---|
Year of Biennale | |||
1996 | 29 | 100 | 0 |
1998 | 50 | 100 | 0 |
2000 | 67 | 61.2 | 38.8 |
2002 | 68 | 52.9 | 47.1 |
2004 | 106 | 59.4 | 40.6 |
2006 | 98 | 41.8 | 58.2 |
2008 | 60 | 51.7 | 48.2 |
2010 | 43 | 48.8 | 51.2 |
2012 | 244 | 18.9 | 81.2 |
2014 | 121 | 43 | 57 |
2016 | 91 | 30.8 | 69.3 |
2018 | 73 | 28.8 | 71.2 |
Total | 1050 |
Region | Total number of artists (1996–2018) | Percentage of artists (1996–2018) | |
---|---|---|---|
China | 459 | 43.7 | |
Europe | 229 | 21.8 | |
North America | 120 | 11.4 | |
Asia excluding China | 152 | 14.5 | |
Latin America | 56 | 5.3 | |
Africa | 19 | 1.8 | |
Oceania | 15 | 1.4 |